Privacy by default

The word ‘pervasive' is indicative of the intrusive nature of TIT, as can be evidenced by two of its features, namely data collected would come from various origins, and that it would be done without the user's awareness. The paper highlights five objectives to be achieved for TIT to avoid being misused and end up harming the users. The right of deletion, the right to be forgotten, data portability, privacy, and data protection principles must not be compromised or neglected. The following examples below list just three common ways that these five objectives were not met in many internet applications.Firstly, one such risk is that a user's personal information might not be directly known, but it could be revealed through lots data collection from different sources or even uncover new information, thus violating the users privacy. A person who does not wish to be recognized online can therefore be identified through such means. Secondly, the paper details that many applications only consider the installation of â€Å"information security, privacy and data protection† only as an afterthought, rather than in the beginning, at the drawing board.This compromises the application's security and the users privacy substantially, as he capabilities of these measures would be reduced. Thirdly, with the advent of cloud computing and social networking services, the likelihood of users becoming â€Å"locked-in† to a particular TIT service provider increases because it becomes more difficult to import and export their information to other service providers. The lack of data portability here also means that users do not have control over their own data. The paper mentions that there are t-von. O general principles that should be followed in the policy making of TIT. Firstly, the TIT should not â€Å"violate human identity, human integrity, human rights, privacy or individual or public berries†. Secondly, individuals should have control of all their p ersonal information created or processed within the TIT, unless such an action violates the first principle. With regards to this, the paper illustrated four methods to reaching the objectives: 1 . Privacy, data protection and information security risk management 2. Privacy by design and Privacy by default 3.Data protection legislation: harmonistic/coherent application/enhanced enforcement 4. Standardization Each of the above four options address various challenges related to TIT. The first option is not simply a technology-focused idea, as the paper states that it loud also be important to look into other measures, such as legal, regulatory, procedural and organizational. The main idea of this option is to avoid leaving said protection measures till the end of the development process as an afterthought, but to be included at the planning stage, with an adherence to best practices to avoid or reduce common risks.The second option operates on the basis that while the technology might not be the factor that puts privacy and security at risk, but the way that it is created and implemented. It claims that applications should not collect data necessary to its functions, and that users should be made aware of what information would be gathered from them as well as what said information would be used for. Users should also be informed on how to exercise their rights, and the applications should adhere to data protection principles.The flashlight application example mentioned before was in clear violation of this, and this real life example further enforces the need for an option such as this. From the technical standpoint, the paper states that personal data protection should be defined, such as in-built privacy options and mechanisms to inform ND educate users on data processing, although the challenge would be to do such things while operating within limited processing power and/or memory of the applications.The third option focuses on the legal aspect of data prot ection, such as strengthening, clarifying and harmonize the powers of data protection authorities in order to make sure that all legislations are enforced, and not just pick and choose specific laws to be followed. The paper also states that violations should be sanctioned significantly to deter people from making applications that would neglect such issues. This is to ensure transparency of applications and for users to have control over their own data.The â€Å"concept of indirectly identifiable data† also has to be improved and elucidated to avoid uncertainty in legislations. The last option, standardization, allows ease of conformity with legal requirements and certification due to the clarity provided from it, thus being cap bled of educating users on how to exercise their rights and allowing them to make informed choices. One weakness with standardization is that â€Å"standards are voluntary and non-binding†, and thus it might not be very effective. It would req uire measures which are more binding.The impact of these options is the building of trust between consumers and the applications. Trust is important in this online environment because without trust, consumers are less likely to buy and use new applications, thus slowing progress of the invention of new technologies, economic growth, and cause the public sector to take longer to benefit from digitizing its services. The paper concludes that having a binding law with more data protection enforcement is the best option to achieve the goals for TIT to ensure that the applications are trustworthy and compliant with user rights.

The Visit (play) by Friedrich Dürrenmatt

The story opens with the town of Guellen (which literally means â€Å"excrement†) preparing for the arrival of famed millionairess Claire Zachanassian. The town is in a state of disrepair, and the residents are suffering considerable hardship and poverty. They hope that Claire, a native of the small town, will provide them with much-needed funds. Alfred Ill, the owner of Guellen's general store and the most popular man in town, was Claire's lover when they were young, and agrees with the Mayor that the task of convincing her to make a donation should fall to him.As the town gathers at the railway station to prepare for Claire's arrival, they are met with an unexpected surprise when Claire steps off of an earlier train. She is grand, grotesque, and fantastic, and is accompanied by two henchmen, her husband, a butler, and two eunuchs, along with a coffin, a caged black panther, and various pieces of luggage. She begins a flirtatious exchange with Ill, and they promptly revisit t heir old haunts: Petersen's Barn and Konrad's Village Wood. Ill finds her as delightful as ever, though they are both now in their sixties and significantly overweight. Claire draws Ill's attention to her prosthetic leg and artificial hand.After settling into the Golden Apostle Hotel, Claire joins the rest of the town, who have gathered outside for a homecoming celebration. A band plays, gymnasts perform, and the Mayor gives a speech. Claire takes the opportunity to announce that she will make a donation of one million dollars, half for the town and half to be shared among the families. The townspeople are overjoyed, but their happiness is dampened when Claire's Butler steps forward to reveal her condition. The Butler was once the Lord Chief Justice of Guellen, and had overseen the paternity suit that Claire had brought against Ill in 1910.In the suit, Ill had produced two false witnesses (who have since been transformed into Claire's eunuchs), and the court had ruled in his favor. Ill went on to marry Matilda, who owned the general store, and Claire moved to Hamburg and became a prostitute. She declares to the townspeople that she has come to Guellen to prove that justice can, indeed, be bought. Her donation is conditional on Ill's death. When the Mayor refuses, the town cheers in support, but Claire states rather ominously, â€Å"I'll wait.† Ill feels generally confident about his status in the town.However, as time passes, he begins to feel troubled about their growing discontent, and then increasingly fearful as he begins to notice the proliferation of new yellow  shoes on the feet of the townsmen, and the fact that everyone seems to be purchasing especially expensive items on credit. He goes to see the Policeman to demand that he arrest Claire for having threatened his life, but the Policeman tells him that the threat is nonsense. Ill then turns to the Mayor, who echoes similar sentiments. Both figures are armed, because Claire's black panther ha s escaped from his cage and is prowling about the town.This only feeds Ill's fear, since â€Å"my black panther† was Claire's pet name for him in their youth. He runs to see the Priest, but the Priest seems to be turning away from him as well, as he effectively ignores Ill's fears and instead draws attention to the magnificent new church bell. Slowly, the standard of living in the town rises, even though the townspeople continue to assure Ill that he is safe. Claire then receives the news that her black panther has been killed, and she has a funeral song played in its memory. In an effort to escape, Ill heads to the railway station, but finds that, strangely, the entire town is gathered there. They ask him where he is going, and he says that he is planning to move to Australia.They wish him well, again assuring him that he has nothing to fear in Guellen, but Ill grows increasingly nervous nonetheless. The train arrives, but he decides not to board, believing that someone will stop him anyway. Paralyzed, he collapses in the crowd, crying, â€Å"I'm lost!† After some time passes and Claire weds a new husband in the Guellen Cathedral, the Doctor and the Schoolmaster go to see her and explain that the townspeople have run up considerable debts since her arrival. The Schoolmaster appeals to her sense of humanity and begs her to abandon her desire for vengeance and help the town out of the goodness of her heart. She reveals to them that she already actually owns all of properties in the town, and that she is the reason the businesses have been shut down and caused stagnation and poverty for the citizens.The Doctor and the Schoolmaster are aghast at this revelation. In the meantime, Ill has been pacing the room above the general store, his terror growing as the townspeople buy more and more expensive products on credit. News reporters, having received word of Claire's imminent wedding, are everywhere, and they enter the store to get the scoop on Ill, ha ving heard that he was Claire's lover back in the day. The Schoolmaster, drunk, tries to inform the press about Claire's cruel proposal, but the townspeople stop him. Finally Ill descends the stairs, surprised at the hubbub, but  quiet. The reporters clear the room when they hear that Claire has just divorced the man she has just married, and has found a new lover.After the confusion has cleared, the Schoolmaster and Ill have an honest discussion. The Schoolmaster explains that he is certain that Ill will be killed, and admits that he will ultimately join the ranks of the murderers. Ill calmly states that he has accepted his guilt, and acknowledges that the town's suffering is his fault. The Schoolmaster leaves, and Ill is confronted by the Mayor, who asks whether Ill will accept the town's judgment at that evening's meeting. Ill says that he will. The Mayor then suggests that Ill make things easier on everyone and shoot himself, but Ill refuses, insisting that the town must go th rough the process of actually judging and then killing him.Ill goes for a ride in his son's newly-purchased car, accompanied by his wife, Matilda, and his daughter, both of whom are wearing new outfits. As they drive through Konrad's Village Wood, Ill says that he is going to go for a walk through the woods before heading to the town meeting. His family continues on to the movie theater. In the woods, Ill comes across Claire, who is walking with her newest husband. She asks her husband to leave so that she and Ill can speak privately. They reminisce about the past, and make plans for the future. Claire tells Ill that she plans to take his body away in the coffin to a mausoleum in Capri that overlooks the Mediterranean.She also tells Ill that she has never stopped loving him, but that over time her love has grown into something monstrous. The town meeting is flooded with press, and the town publicly announces their acceptance of Claire's donation. They then go through the formality o f a vote, which is unanimous, and the Mayor states that they have Ill to thank for their new-found wealth. The press is then ushered out of the auditorium to enjoy refreshments. The doors are locked, and the lights are dimmed. The Priest crosses Ill, and he is killed by the townsmen. Just as a reporter reappears in the auditorium, the Doctor announces that Ill has died from a heart attack.The reporters gather, and declare that Ill has died from joy. Claire examines the corpse, gives the Mayor his check, and leaves the town with Ill's body in the coffin that she brought with her when she arrived in Guellen. Claire boards the train at the railway station, and the visit comes to an end.

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Khaled Hosseini Essay Example for Free

Khaled Hosseini Essay The story is about Amir and Hassan, a Hazara. They spend their days in a peaceful Kabul, kite fighting, roaming the streets and being boys. Amir’s father loves both the boys, but seems critical of Amir for not being manly enough. Amir also fears his father blames him for his mother’s death during childbirth. However, he has a kind father figure in the form of Rahim Khan, Baba’s friend, who understands Amir better, and is supportive of his interest in writing stories. Assef, a mean and violent older boy, blames Amir for socializing with a Hazara. According to Assef, the Hazaras were an inferior race that should only live in Hazarajat. He prepares to attack Amir with his steel knuckles, but Hassan bravely stands up to him, and threatens to shoot Assef in the eye with his slingshot. Assef and his friends back off, but Assef says he will take revenge. Hassan is a successful kite runner for Amir. He knows where the kite will land without even watching it. 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Baba forgives him, despite the fact that, as he explained earlier, he believes that there is no act more wretched than stealing. Hassan and his father Ali, leave anyway. Hassans departure frees Amir of the daily reminder of his betrayal, but he still lives with his guilt. Five years later, the Russians invade Afghanistan; Amir and Baba escape to Peshawar, Pakistan and then to Fremont, California, where Amir and Baba, settle in an apartment and Baba works at a gas station. Amir eventually takes classes at a local community college to develop his writing skills. Every Sunday, Baba and Amir make extra money selling used goods at a flea market in San Jose. There, Amir meets fellow refugee Soraya and Sorayas father, who was a high-ranked officer in Afghanistan. Baba is diagnosed with cancer but is still capable of granting Amir one last favor: he asks Sorayas fathers permission for Amir to marry her. He agrees and they marry. Shortly thereafter Baba dies. Amir and Soraya get to know that they cannot have children. Fifteen years after his wedding, Amir receives a call from Rahim Khan, who is dying from an illness. Rahim Khan asks Amir to come to Pakistan. He tells Amir there is a way to be good again. Amir goes. Ali was killed by a land mine. Hassan had a wife and a son, named Sohrab, and had returned to Baba’s house as a caretaker at Rahim Khan’s request. One day the Taliban murdered Hassan, along with his wife. Rahim Khan reveals that Ali was not really Hassans father. Hassan was actually the son of Baba, therefore Amirs half-brother. Rahim Khan tells Amir that the true reason he has called Amir to Pakistan is to go to Kabul to rescue Hassans son, Sohrab, from an orphanage. Amir returns to a Taliban-controlled Kabul with a guide, Farid, and searches for Sohrab at the orphanage. He does not find Sohrab where he was supposed to be. The director of the orphanage tells them that a Taliban official comes often, brings cash and usually takes a girl back with him. Once in a while however, he takes a boy, recently Sohrab. The director tells Amir to go to a soccer match and the man who does the speeches is the man who took Sohrab. Farid manages to secure an appointment with the speaker at his home, by saying that he and Amir have personal business with him. At the house, Amir has his meeting with the man in sunglasses. The man is revealed to be his childhood enemy, Assef. Assef is aware of Amirs identity from the very beginning, but Amir doesnt realize who hes sitting across until Assef starts asking about Ali, Baba and Hassan. Sohrab is being kept at the home where he is made to dance dressed in womens clothes, and it seems like Assef might have been sexually assaulting him. Assef agrees to release him, but only for a price a fight with Amir. Amir is the protagonist of the story. He lives with his father, while his mother died when he was born. He has trouble getting attention and love from his father. He is best friends with Hassan, and the story follows him from the time he is a child to adult. He is good at school, but he is a boy who is struggling to get his father to be happy, he feels that he is the disappointment of his father. He characterizes himself as a coward, with little purpose. He changes his personal beliefs twice throughout the history. First time when Hassan is raped, after the event he is not talking with Hassan because of his guilt and gets Hassan kicked out of the house. The second is when he goes back to Afghanistan to retrieve the son of Hassan. As an adult, he proved what he can do, and is presented as a man with so much courage that no one else ever had. Hassan is the son of Ali, who is the servant of Baba. Hassan is a Hazara and he is often discriminated against and oppressed by others. Hassan is brave, loyal and always protects Amir. Since Hassan has not gone to school, he learns to read and write from Ali. Hes doing what hes told. He is incredibly loyal to Amir. When Amir accuses him of stealing his watch, he said to Baba that he was the one who took it, without Amir asking him about it. Hassan is the character that changes at least throughout the history. Assef is the evil character in this book. He hates Hazaras, which is shown clearly in the book. Therefore, he is looking for Amir. He believes that it is his fault that Hassan lives with him. He is the one that causes problems between the childhood friends Amir and Hassan. We have two turning points in this book. The first comes when Hassan is sexually abused by Assef and his gang. It changes the friendship of Amir and Hassan. Amir stops talking with Hassan because he feels ashamed and feels that he has betrayed Hassan. The second turning point comes when Rahim Khan calls Amir. Amir changes and realizes that he can make things better. He decides to find Sohrab and get him to safety. This is the structure of the story. The story starts with a short introduction where the narrator tells us a little about himself and Kabul. Then we get more excitement and we get the climax. The climax is when Hassan got raped by Assef. Anything could happen at that point because Amir was looking at everything that happened. The excitement fell down after that incident because Hassan and Ali left the house, but it became more and more interesting after that because the Russians invaded Afghanistan and Amir had to leave Afghanistan. That was a big change in the story. Once again we got a climax when Amir stood face to face against Assef. He had a chance to take revenge now. This was our presentation of ‘’The Kite Runner’’. We have told you a little about the plot, the characters, the turning-points, climax, the setting, the themes and the message in the book. I will end the presentation by talking about my opinion about the book. I loved this book. It has a good structure, the content is really good and you don’t want to stop reading. I don’t like to read books, but this book was special. Sources:The Kite Runnerhttps://thekyterunner. wikispaces. com/Dragel%C3%B8peren| http://www. smartguy. no/klaer/t-shirt/t-shirt-logo/marinebla_polo-ralph-lauren-t-shirt_179718_21 http://www. smartguy. no/klaer/t-shirt/poloshirt/hvit_lacoste-poloskjorte_175476_3 http://www. smartguy. no/klaer/t-shirt/poloshirt/mellembla_tommy-hilfiger-poloshirt_187632_74 http://www. smartguy. no/klaer/t-shirt/poloshirt/svart_hugo-boss-orange-poloskjorte_182674_4 http://www. smartguy. no/klaer/jeans-bukser/bukser/sand_vito-chino_192150_27 http://karrierestart. no/jobb? jobtype=2municipality=89page=5 http://www. free-tv-video-online. me/internet/the_ellen_degeneres_show/season_10. html http://www. handelsportal. no/butikk/iphone-4-4s/iphone-4-deksel-og-etui http://max100. no/index. php? route=product/productpath=20_64_67product_id=292.

Overview Of Beethoven And Mozart Music Essay

Overview Of Beethoven And Mozart Music Essay According to Mozarts Magic Flute and Beethoven (2004), During the XVIII century in some countries (Italy, Germany, Austria, France) results the formation of new genres and forms of instrumental music, was finally formed and reached its climax in the so-called Viennese classical school. Viennese classical school, organically absorbed the advanced achievements of the national musical culture, was itself deeply national phenomenon, rooted in the democratic culture of the Austrian people.  Representatives of the artistic direction have been V.A.  Mozart and L. van Beethoven.  Each of them was a bright personality.  Mozarts style was more typical lyric-dramatic start.  The style of Beethoven was the embodiment of heroic pathos of struggle.  However, along with the differences which result in unique individuality of each of these composers, their combined realism, life-affirming and democratic beginning. Art of Viennese classics made into world music a powerful jet of realistic and democratic, based on the wealth of folk art, and because it has preserved for us all of its value and artistic significance. Creativity of Mozart occupies a special place in the Viennese Classical School.  In his classic works of rigor and clarity of form united with deep emotion.  Music composer is close to the directions in the culture of the second half of the XVIII century. Also, there were converted to human feelings Storm and Stress, part sentimentalism, and by Mozart was first shown the contradictory inner world of the individual. According to SolomonHYPERLINK http://en.wikipedia.org/wiki/Maynard_Solomon HYPERLINK http://en.wikipedia.org/wiki/Maynard_SolomonMaynard  (1995), Wolfgang Amadeus Mozart was born in Salzburg (Austria).  With a phenomenal musical ear and memory, he was already in his early childhood, he learned to play the harpsichord, and in five years, wrote the first essay.  First teacher of the future composer was his father, Leopold Mozart Orchestra Musician Archbishop of Salzburg.  Mozart brilliantly mastered not only the harpsichord, but also organ and violin, and was famous as a brilliant improviser.  When he was six years old, he toured Europe.  At eleven, he created the first opera Apollo et Hyacinthus, and fourteen had already conducted in a theater in Milan at the premiere of his own opera Mitridate, King of Pontus. Around the same time, he was elected a member of the Philharmonic Academy of Bologna. Like many musicians of that era, Mozart was on the court service (1769-1781) he was the accompanist and organist for the Archbishop of Salzburg.  However, the independent character of the wizard causes a sharp displeasure with the archbishop, and Mozart chose to leave the service.  Of the outstanding composers of the past he was the first who chose to live as a free artist.  In 178,1  Mozart moved to Vienna, where he had a family.  He earned rare editions of his own, piano lessons and performances. Particular attention is paid to Mozart opera.  His works are an epoch in the development of this kind of music.  Opera has attracted the composer by the opportunity to show the relationship of people, their feelings and aspirations. Mozart did not try to create a new operatic form novel itself was his music.  In the mature works of the composer abandoned the strict demarcation of the opera on a serious and comic there was music and drama performance in which these elements are intertwined.  As a consequence, in the operas of Mozart has not unambiguously positive and negative characters, the characters are vibrant and multifaceted, not bound by the role. Mozart often turned to literary sources.  So the opera Le Nozze di Figaro (1786) was written on the play by French playwright Beaumarchais Crazy Day or The Marriage of Figaro, which was banned by the censor.  The main theme of the opera is love, which, however, can be said of all the works of Mozart.  However, there is in the product and the social implications: Figaro and his beloved Susanna are smart and energetic, but they are of humble origin. They were only servants in the house of Count Almaviva.  Their opposition to master (stupid and fooled aristocrat) elicits the sympathy of the author it is clear that he was on the side of love. In the opera Don Giovanni (1787), he received his musical incarnation of the medieval story of the seducer.  Energetic, temperamental, capricious and free of all moral norms, the hero confronts in the face of a Commander of a higher power, a symbol of reasonable order.  Philosophical generalization neighbors here with amorous intrigues and genre and household items.  Tragic and the comic form an indissoluble unity.  It would seem that justice prevails in the final sin (Don Giovanni) punished. But the music of the opera is thinner and harder this simplified understanding of the product: it gives the listener sympathy for the hero, remains true to herself even in the face of death. Philosophical tale The Magic Flute (1791) was written in the zingshpil genre.  The main idea of the work the inevitable victory of good over evil, calls for fortitude, to love, to understand its ultimate meaning.  Heroes of the opera are serious tests (silence, fire, water), but worthy of overcoming them and reach a realm of beauty and harmony. As a representative of the Viennese Classical School,  Mozart attached great importance to the genre of the symphony.  Especially popular are the last three symphonies Thirty-ninth, fortieth and forty-first (Jupiter), created in 1788.  Works of this genre finally anchored four-part cycle, and the rules of the sonata form. Symphonies by Mozart include a variety of subtle emotional nuances.  Topics are often uneven in nature, challenging the rhythm, sometimes accompanied by sharp run harmonies, but the music remains honed, clear form. According to SolomonHYPERLINK http://en.wikipedia.org/wiki/Maynard_Solomon HYPERLINK http://en.wikipedia.org/wiki/Maynard_SolomonMaynard  (1995), Mozart also became one of the founders of the genre of classical concert.  The basis of competition concert soloist and orchestra, and this process is always subject to strict logic.  Composer has written twenty-seven concerts for piano and orchestra, and seven for violin and orchestra.  In some works of listeners struck a masterly skill, festivity, in other dramatic and emotional contrasts. Mozart piano works include nineteen sonatas, in which he continued to develop the sonata form, as well as essays in the genre of fantasy (of music based on improvisation and free form).  The composer refused harpsichord and clavichord, in comparison with the piano softer, but weak sound.  Mozart piano style was a clear, elegant, with well crafted melodies and accompaniment. Mozart composed the music very easily, sometimes without drafts, creating works, unsurpassed in artistic beauty and harmony.  Musicians, contemporaries appreciated talents of Mozart, but most of the aristocratic audience did not understand his work, and in recent years, the composers life did not take at all.  Mozart died in poverty and was buried in Vienna in a common grave. Music should strike a light from the human breast a word of German composer Ludwig van Beethoven, whose works belong to the highest achievements of musical culture. Beethovens worldview evolved under the influence of the Enlightenment ideals of freedom and the French Revolution.  The music of his work on the one hand, continued the tradition of Viennese classicism, on the other depicted features of the new romantic art.  From classicism in the works of Beethoven upland content, excellent possession musical forms, genres appeal to the symphonies and sonatas.  From Romanticism is depicted bold experimentation in the field of these genres, the interest in vocal and piano miniatures. According to Peter J.  Davies (2002), Ludwig van Beethoven was born in Bonn (Germany) in a family court musician.  He began studying music since childhood under the guidance of his father.  However, the present mentor, Beethoven was a composer, conductor and organist.  He taught the young musician of composition, taught to play the clavier and organ.  With eleven years of Beethoven served as assistant organist at the church, then the court organist, accompanist to the opera house in Bonn.  At eighteen he entered the University of Bonn in the Department of Philosophy, but did not finish it. In 1792,  Beethoven moved to Vienna.  He took music lessons from Haydn, Albrechtsberger, Salieri (the biggest musicians of the era). Beethoven soon began giving concerts, became popular.  He wrote a lot: he wrote sonatas, concertos for piano and orchestra, symphonies. For a long time, no one guessed that Beethoven was struck with a serious illness he began losing hearing.  Convinced of the incurable illness, the composer decided to retire from life and in 1802  prepared a will, which explained the reasons for his decision. However, Beethoven was able to overcome despair and found the strength to write music on.  Exit from the crisis was the third (Eroica) Symphony. In 1803-1808  composer also worked on the creation of the sonatas, in particular the Ninth for violin and piano (1803), Twenty-Three for piano, Fifth and Sixth Symphonies (both of 1808). Sixth (Pastoral) Symphony is subtitled Memoirs of rural life.  This work paints a different state of the human soul, suspended for the time of the inner experiences and struggles.  It was symphony of the feelings arising from contact with the natural world and rural life.  Its unusual structure had five parts instead of four.  In the symphony there are elements of fine art, onomatopoeia (birds singing, thunder, etc.).  Beethovens findings were subsequently used by many Romantic composers. Premiere of the symphony took place in 1825  at the Vienna Opera House.  To implement the authors intention theater orchestra was not enough, we had to invite fans: Twenty-four violins, ten violas, twelve cellos and basses.  For the Viennese classical orchestra, such a train, it was unusually powerful.  In addition, each choir parts (bass, tenor, alto and soprano) include twenty four singers, which also exceeded the conventional norm. During the life of Beethovens Ninth Symphony for many remains unclear, she admired only by those who knew him closely the composer and his students and educated in music listeners.  Over time, the symphony began to include in its repertoire the best orchestras of the world, and it has found new life. According to Peter J.  Davies (2002), Works of the late period was characterized by restraint of the senses and the philosophical depth that distinguishes them from the passionate and dramatic early writings.  During his life, Beethoven wrote 9 symphonies, 32 sonatas, 16 string quartets, the opera Fidelio, Missa Solemnis, 5 piano concertos and one for violin and orchestra, the overture, the individual pieces for different instruments. Surprisingly, many works (including the Ninth Symphony), the composer wrote when he was already completely deaf.  However, his recent works sonatas for piano and the quartet are great masterpieces of chamber music. Thus, I would like to say that Beethoven and Mozart affected classical music dramatically. It is difficult to overestimate their contribution and influence on the development of classical music.  Masters of this style sought to clear and strict forms, harmonious patterns, and the embodiment of high moral ideals. Higher, the finest examples of art works they considered an ancient art, so that worked out ancient stories and images. Vertex in the development of musical classicism was the work of Wolfgang Amadeus Mozart and Ludwig van Beethoven, who worked mainly in Vienna and formed a line in the musical culture of the second half of XVIII early XIX century the Viennese Classical School. The composers of the Viennese classical school have created a very harmonious and logical system of rules of construction works.  Thanks to this system, the most complex feelings donned in a clear and perfect form.  Suffering and joy have become the subject of reflection for the composer, rather than experience.  The art of the Viennese classics has great value and artistic significance for all mankind.